In times of a growing technologic affinity, of a never stalling flood of

information and pictures surrounding us at day and night, on the train, 

while eating and brushing our teeth, always urging to be heard, 

perfection is the highest aim. Glassy surfaces, polished till brilliance, exact and futuristic.

Basically, we know that this form of perfection is not natural. We know it 's not good for us to allow media to always surround us, to always be available and always be „the best version of ourselves“. 

This „best version“ is not the version demanded by this request. The real best version consists of successfully mastered tasks as well as first attempts and failed experiments. 

It is an ongoing process enriching us in all its facets.

In terms of creativity, this is the process bearing the most fascinating objects. 

My interest as a designer focuses on the character of items surrounding us every day and thereby have faded to a sort of coulisse. Making my objects, I want to create haptically and visually fascinating incidents

 that encourage people to renew their view on their environment. 

It is my aim to create the New out of a tension field between keeping some original character traits and changing or manipulating others.

This is my way of finding a natural perfection.